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From the 1880s through to the early 1900s, Shaw’s work was much imitated by speculative builders for middle class housing and large, fussy, red brick houses with porches, wooden verandas, small window panes in the upper sashes - and the occasional Dutch gable - became a familiar part of the outer suburbs of London and other large towns and cities. Stained glass became popular for front doors and porches while the floor and dados of porches and hallways were often finished in decorative tiles which were produced in huge quantities from the 1870s. After 1905, pargetting – decorative relief plasterwork - recalling the seventeenth century domestic architecture of Essex and Suffolk – pebble dash and half timbered gables became popular. In the hands of speculative builders, suburban villas began to look like enlarged cottages. Although roofs were prominent, houses were generally not as tall and there was now a greater horizontal look to the facade. Plans tended to be squarer and without a basement the main living rooms now had direct access to the garden.

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