The same order of people are, by the same law, prohibited from wearing hose, of which the price should exceed fourteen-pence the pair, equal to about eight-and-twenty pence of our present money. x vidio gratis nkts are well supplied with means., .
On May 1, 1915, the American morning papers carried a warning from the German embassy, reminding travelers, “that a state of war exists between Germany … and Great Britain,” and that those “sailing in the war zone … do so at their own risk.” While not specifically directed at the Lusitania, the notice was placed alongside an ad for Cunard’s Europe via Liverpool service. Reporters flocked to the Cunard terminal at New York’s Pier 54, where the Lusitania was preparing to depart. That evening, papers carried stories of threatening telegrams and shady characters with messages of doom weaving among gathering passengers. Cunard spokesman Charles P. Sumner reassured the press that while, “The fact is that the Lusitania is the safest boat on the sea. She is too fast for any submarine.” (New York Evening World, May 1, 1915) Only two canceled bookings were attributed to the warning.
|Case||Design Rugged, shock proof with integrated protective holster Drip and dust proof IP51 according to IEC60529 when used in tilt stand position Shock and vibration Shock 30 g, vibration: 3 g sinusoid, random 0.03 g 2 /Hz according to MIL-PRF-28800F Class 2|
|Display||Brightness: 200 cd/m 2 typ. using power adapter, 90 cd/m 2 typical using battery power Size: 127 mm x 88 mm (153 mm/6.0 in diagonal) LCD Resolution: 320 x 240 pixels Contrast and brightness: user-adjustable, temperature compensated|
|Memory||8GB SD card (SDHC compliant, FAT32 formatted) standard, upto 32GB optionally Screen save and multiple data memories for storing data including recordings (dependent on memory size)|
|Real-time clock||Time and date stamp for Trend mode, Transient display, System Monitor and event capture|
|For the Pallladian façade this system of proportions was combined with the architectural elements of the Roman temple consisting of a rusticated basement, columns or pilasters, entablature (including the cornice and pediment) and attic. Five types of columns with the superstructure they supported – known as the Five Orders – were used to determine the adornment of the façade (see drawing below). The Five Orders were the Tuscan, Doric, Ionic, Corinthian and Composite and were easily distinguished by the particular carving of the capitals and their individual proportions. The Orders were applied to a building for decorative purposes and also to ‘order’ the design of the facade. The Orders were either applied to the facade or implied by dividing the facade in height according to the divisions of an individual column. Even where the main architectural components of the temple were absent their presence could be implied by the use of certain details. Thus a cornice or even a flat string course was used to suggest the location of the entablature, or a sill band or string course at first floor level could be used to indicate the line of the column base while another above the ground floor windows could be used to indicate the junction between the column pedestal and temple podium. In a three storey high house, for example, the temple composition was implied by the ground floor storey corresponding to the area of the podium while the two stories above fell within the area of the column shaft. For the largest and grandest terraced block the temple formula provided further inspiration for the front. By adding a pediment over the centre the row was given a palace-like front. Now the overall unity of the design was more important than the facades of individual houses. John Wood (1704-5) adopted the palace front for the north side of Queen Square in Bath, started in 1728, and thereafter the pediment was widely used.|